Musings

Weekly Musing: I Know Why Writers Drink

No, I’m not going to talk about alcoholism and authors. If you want that kind of info just do a search.

Without intending to, here’s an update of my progress on revising my novel. August was an incredibly productive month for me. I managed to finish the initial round of revision done for one of the two main characters. This was amazing considering it took me all of July to get through four chapters yet last month I got through nineteen chapters.

There were a few things which helped me get into a groove. The biggest was constructing a thumbnail outline of the character’s story. I have down numerous outlines to help me figure out a general idea. For some reason, doing a simple two or three sentence description for each chapter and assigning chapter number helped me “get” the bigger picture.

Doing this helped me figure out what scenes to cut as well as see holes. This meant I had to draft new chapters and adjust other chapters which is fine. The thumbnail outline also makes it easier for me to move chapters around to see how the story is affected. Obviously this is the point of revision.

Another added benefit came as I was looking ahead to tackling the other main character. Once I was done working on the story for the first character, I did a quick outline for the other one. Since their storylines eventually combine, I had a better visual of the structure and flow of the story.  

Finally nailing down the time scope for the story was another big moment. This is something I have literally struggled with for years. I know the story was going to span more than a year yet I knew I did not want it cover the entire historical conflict that serves as the catalyst and background. But what years to pick?

Once again I employed keeping it simple. I combed over my research and scribbled down the years with the most activity. Then I compared that timeline with the characters’ stories. With a few adjustments I now had my time scope. I wrote out a quick, one-page summary of historical events with a sentence about where each character would be in relation to it. Finally getting a chance to “see” this helped me notice some of the decisions the characters make would be supported by what was going on historically.

It seems the theme of keeping it simple was big in August. Another useful aid was creating a cheat sheet of info for each character. What this means was I already knew the name of parents and siblings of each character, but instead of flipping back and forth from Scrivener to my manuscript printout, I just retyped it. I left plenty of room on the page to handwrite minor characters who pop up that are associated with each character.

Something I added to the cheat sheet of info was a literal road map. This was another area I’d been struggling for years. Again, turning to history and Google Maps, I was able to approximate where people should be. The road map had to be backed up by history so that meant the story would have to be adjusted accordingly.

I was also able to estimate how long it would take characters to travel from one place to another. Of course the times are based in a perfect world. Since I identified my occupation on a recent medical form as Creator of Worlds and Puppet Master, this means I was now allowed to further mess up their journeys. *insert evil laugh here*

As it stands now, I have 23 revised chapters and am at a total of 57,591 words. This is for one character. I know there are chapters which are bloated while others are deficient. This is okay because I am nowhere near the final product.

Due to all these epiphanies in August, I am vastly more hopeful I will be able to get a complete first round revision done by November. Just in time for NaNo where I plan to write a different kind of novel, one that may or may not be revised. With all I’ve learned during August I believe I can carry the momentum into September and October. For now, though, if you’ll excuse me, there is a lake house friends and I are renting for the weekend with moonshine and other kinds of alcohol, games, and football calling my name. A well needed break to clear my frazzled mind.

 

Musings

Weekly Musing: Living Creatively

My own creativity is something I finally started listening to when I was already into adulthood. What I mean is that is when I started giving in to urges to just do something, anything, to get ideas, thoughts, emotions, my voice out I always held back. Eventually I figured out it to let it out. And guess what? I think it has made my life so much better.

Creativity has been something that has always fascinated me. Even as a kid I remember watching behind-the-scenes specials about how Fraggle Rock was made, how HBO’s opening sequence before each show was made, or special effects behind movies. The older I got the more I was still fascinated by how people came up with their ideas for books, movies, songs, art, whatever and however people expressed themselves. I am one of those people who still buys DVDs mainly for the special features and commentaries. I love searching for interviews with my favorite musicians and writers whenever they talk about their process and inspiration.

I was jealous because these people had managed to tap into a side of them I hoped I had. Deep down there was a voice desperate to get out but I couldn’t figure out what my avenue would be. I can’t draw; my stick figure people look like they have orthopedic problems. I can sorta play an instrument but I’m a mediocre musician on a good day. Composing my own songs is out of the question and my singing voice is best left to the car. I’m okay at taking pictures but not enough to fire up my creativity. Dancing is out as I trip over flat surfaces.

Finally it dawned on me to explore creative writing. After all I was a strong writer in school and had on and off come up with stories, even beginning some. The more I got into writing, not only did I become a happier person, the more I wanted to explore creativity and what fuels it. It has also given me confidence to explore other avenues of creativity.

It’s interesting to see how doing one creative activity can snowball into others. For example, I have always enjoyed cooking, more so when I started going off script. With the exception of baking, an activity I only do around Christmas, I view most recipes as suggestions. If I don’t have a particular spice, I’ll substitute. I like being able to increase or decrease the level of heat in a dish. I love playing around with different flavor combinations especially since I enjoy food from all over the world.

Another example of expanding my creativity is recently I have taken up coloring. Now on the surface this doesn’t sound like much, but for me coloring is a way for me to create art. I never really liked coloring as a kid because I was too busy trying to stay within the lines and color realistic-looking cats and dogs. But with adult coloring books, the designs are abstract so I don’t feel as if I have to conform to the norm which I sorta natural rebel against. Conformity = confinement as far as I’m concerned.

Having different creative outlets benefits my writing. Firstly, I have to concentrate completely on whatever that other activity is. Once my brain loses focus is when I start making mistakes. Secondly, engaging in another form of creativity rests the part of my brain I’ve been using for hours to write. Anyone who thinks using one’s mind isn’t physically exhausting hasn’t really ever used his or her brain. Thirdly, it allows for expressions of emotions and thoughts which simply cannot be express in the written word. This is why music, art, dance, etc. exist.

Perhaps I’m odd but somehow I’m able to turn off my writer’s brain when I do other activities. Or maybe I’m burying whatever issues I’m struggling with subconsciously yet my mind isn’t really “off”. No matter how I do it, the rest refreshes me so that when I turn on my writing brain it opens up the flood gates. I think this might be true for other creative types. I know writers who also paint, draw, or are musicians. There are actors who also sing, dance, or write for fun. Artists who write, make films, or play music as well.

 

Musings

Weekly Musing: Take Your Beta Readers to the Max

A term I never heard of before I threw myself into creative writing was Beta Reader. I wondered what this meant. Is it like one of those fighting Beta fishes? How is a Beta Reader different from a critique group? Why do I need one? When do I need one? How does one become one?

Simply put a Beta Reader is a person who reads the complete manuscript of a writer’s novel, novella, screenplay, or play. It is helpful to get feedback early on so that as a writer you can polish the manuscript before sending it out to be published. If you are at this stage with your story then you probably have read and re-read it so much yourself you probably are sick of seeing it.

How is beta reading different from just submitting work to a critique group? For one thing the idea of enlisting a group of Beta Readers is to give them the entire finished product. More often than not critique groups have restrictions on word count and frequency of submissions. While you can give your critique group each chapter at a time, it’s like giving pieces of a puzzle to someone and expecting them to put it together without having all the pieces. It’s also more difficult for members of a critique group to remember what previously happen in the story and see if there has been any character development.

Beta Readers get all the pieces to the puzzle. They get to see that whole picture, from the beginning to the middle to the end, experiencing the journey the reader would take in real time. Thus their feedback is probably a bit more solid than just having piecemeal feedback on a chapter here and there. That’s not to say to never let your critique group see the chapters. There are certainly areas where you know the writing is weaker or you’re struggling with how to write a scene or when you’re first starting the project. This is when your critique group can come in handy with feedback.

So how does one go about choosing Beta Readers? In order for the process to be beneficial, it’s a good idea to pull your Beta Readers from different walks of life. In addition to having a fellow writer or two read your complete work, invite non-writers as well. Fellow writers are looking for certain things but may suffer from tunnel vision. Invite friends and family who frequently read in your story’s genre. This type of reader is looking for certain things that a non-genre Beta Reader wouldn’t necessarily pick up on. After all, the majority of book readers are not writers. Good idea to get a feel for how the book reads for the average public. Finally, make sure you pick Beta Readers who is capable of giving constructive criticism.

When you’ve got your readers picked, make sure you give them plenty of time to adequately read your manuscript. This is especially important if the writer is facing a deadline. Even if you aren’t, still give your readers a deadline. After all the revision process is far lengthier than the initial rough draft stage. If you have any specific questions or concerns you’d liked addressed then let your readers know that. Tell your readers who you’d like to receive feedback. Are you okay with a hand written mark-up of the manuscript? Would you prefer an electronic version?

What are the responsibilities of a Beta Reader? People have lives so in addition to providing the most honest and constructive feedback possible, try to get your comments back to the author as soon as possible. When I beta read, the process is slower than my regular critiquing for my writers group and it is much, much slower than when I’m reading for fun. Keep that in the back of your mind when you accept or decline the offer to read. If you notice grammar and spelling mistakes and you feel confident enough, go ahead and note the errors. Naturally there are readers who focus more on this than others so don’t get bogged down too much in checking every single sentence. Remember, you are reading for content mostly. That being said, it can be quite frustrating to be spending more time correcting grammar and spelling, then actually absorbing the story.

 

Asking people to beta read your baby is scary. I get nervous whenever my work is critiqued and at this point I can only imagine how nerve-wracking it’s going to be when my novel is ready enough to be review by others. Be nice to your readers by thanking those who accept the offer as well as those who decline the invitation. Beta Readers, be respectful and honest to the writer. We’re can be fragile creatures and the author has placed a lot of trust in you. Hopefully the experience can be fun and beneficial for both sides.